Bitemporal width ratio

Bitemporal width ratio compares the width across the temples with cheekbone width. A lower ratio means the upper face is narrower relative to the cheeks; a higher ratio means it retains more of their width.

Synthetic frontal portrait with Glowometry landmarks marking bitemporal width ratio

0.86 ratio

Bitemporal width ratio

temple width divided by cheekbone width.

The marked points show where we measure bitemporal width ratio.

What different ratios look like

Compare the examples on either side with the original portrait in the centre.

Baseline comparison

Compare the lower example, baseline and higher example from left to right. The temples are narrower relative to the cheekbones. The temples are broader relative to the cheekbones. The measured values do not follow the lower-to-higher order; compare the numbers shown beneath the portraits.

The transition from temples to cheeks

The cheekbones can look more prominent when the temples above them narrow, even if cheekbone width stays unchanged. The outline moves outward as it descends into the cheeks. Broader temples reduce that contrast and make the upper sides of the face straighter.

A low ratio can also come from especially broad cheekbones beneath temples of ordinary width. This may create a smooth widening into the cheeks rather than a hollow at the temples. The curve of the outline helps distinguish a narrow upper face from a local indentation.

Forehead height and hairline shape

A tall forehead with broad temples has height and width across the upper face. The same central forehead height with narrower temples creates a more elongated upper outline. Hairline shape adds another boundary, especially where the sides recede or expose more skin above the temples.

Salinas, Liu and Sharaf found that central forehead height and lateral hairline contours showed different sex-related patterns in their celebrity sample. A centreline measurement alone missed some of the visible variation.

A naturally narrow upper face can resemble an outline that has changed through hairline recession or temple hollowing. Earlier photographs help establish whether the shape has changed; a current width ratio describes the present boundary.

The jaw beneath the cheekbones

Narrow temples and a narrow jaw make the cheeks stand out between them. If the chin narrows too, the face contracts above and below its widest point, creating a diamond-like outline. The cheekbones can appear pronounced through this contrast even without exceptional width.

A broad jaw beneath narrow temples creates a different shape. The face widens into the cheeks and retains more of that width below them. A broad chin continues the lower breadth, while a narrow chin produces a stronger final taper.

At a high temple ratio, a broad jaw can create straighter sides across much of the face. A narrow jaw below broad temples instead gives a more continuous downward taper. Overall facial height determines whether either outline looks compact or elongated.

Structure and surface contour

The upper outline reflects head shape and the tissues at the temples. These regions develop at different rates from the cheeks and jaw.

Later soft-tissue changes can make the temples more hollow, while hairline changes alter how the forehead is framed. A hairstyle can change the visible impression without moving the skin landmarks. Compare the skin contour separately from the hair boundary, especially when assessing a change in temple width.

The temple-to-cheek reference

The 0.85–0.95 reference describes temples that retain most of the cheekbone width while allowing the outline to widen into the cheeks. That gentle transition can look quite different depending on forehead height and the jaw below it.

More narrowing emphasises the cheekbones but may also make an existing indentation more visible. Greater temple width reduces that contrast and gives a tall forehead more breadth. Direct preference research for this exact ratio is limited, so the interval is most useful as a comparison of these visible shapes.

How we measure it

We measure across the temples and divide that width by the widest part of the cheekbones.

  1. 1

    Mark the skin contour at each temple, keeping hair outside the measurement.

  2. 2

    Measure across the widest cheekbone points.

  3. 3

    Divide temple width by cheekbone width.

Getting a clear photograph

  • Use a straight-on portrait with the camera near eye height and the head upright.
  • Avoid close wide-angle selfies; perspective changes central features relative to the facial outline.
  • Hair, curls or shadow over either temple can move the detected contour.
  • Turning to one side hides part of a temple and makes the upper face look narrower.

Check the marked points

  • Confirm that both temple points sit on skin contour rather than hair volume.
  • Check that both ears and both cheek contours are similarly visible.
  • Retake with hair secured away from the temples if either boundary is ambiguous.

Measure your bitemporal width ratio

Upload a front-facing photograph to see your result and review the marked points.

Sources

  1. 1
    Analysis of Hairline and Forehead Sexual Dimorphic Aesthetics in 60 Celebrities Using Artificial Intelligence

    Shows why central forehead height and lateral hairline shape need separate interpretation in a selected celebrity sample.

  2. 2
    Craniofacial growth: a three-dimensional soft-tissue study from 6 years to adulthood

    Documents unequal growth of facial regions, including greater proportional growth of the lower third.

  3. 3
    Surface facial modelling and allometry in relation to sexual dimorphism

    Relates facial size to shape and sex-related morphology in young Central European adults; larger faces were more elongated.

  4. 4
    Glowometry front-view measurement protocol

    Explains how the measurement is calculated and which reference range is used.

  5. 5
    Reliability of measurements taken from facial photographs

    Documents the effect of photographic setup and landmark placement on facial measurements.

  6. 6
    Focal length affects depicted shape and perception of facial images

    Shows that camera focal length changes depicted facial shape, measured proportions and attractiveness ratings.

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